Rosie tucker gay bar lyrics

Once in a great while a musical statement is created that runs the gamut of the human experience while exploring the layers of its genre; for year-old singer-songwriter Rosie Tucker, that genre is the once culturally dominate, but now marginalized sphere of rock and roll.

Delightfully conversational, self-effacing, and extremely passionate for their craft, Tucker has no qualms about fervently deconstructing the work. Can we still have protest music? What does it look like now? I think I needed to be a little older to be able to synthesize some of those thoughts in a way where it was not going to feel like bumper stickers.

This is a very personal record at the same time, which is always the balancing act for songwriting: Can you bridge the universal with the personal and make it relatable? If any of us is gonna be any good for the collective, we need to be getting something whole out of life as it stands, so… yeah.

I assume having it open the album was not a mistake. Not by mistake at all. I was going for humor to hang on my anger and bitterness, and I think a lot of this record was about trying to recognize that bitterness can be internally caustic if you hold onto it and try to figure out how to excise that. Apparently, you can.

Rosie Tucker

I think you can in that there is a wanting that cannot be satisfied, which is essential to us continuing to have ambitions and desires as human beings. Your vocals here — and on the entire record — are very emotive and provocative; jumping octaves, playing with falsetto and less gentle phrasing, which also tells a tale. That is very kind.

That was a great deal of fun for me. In fact, I had so much fun making this record. It sounds fun, no matter the deeper lyrical content. It is an intriguing juxtaposition. I have always loved happy-sounding songs with more solemn sentiments. How do you develop your vocals? I think that with this record, I finally decided that my voice is also an instrument on par with anything else… that it might be my instrument, so I just had a lot of fun letting loose.

It made me excited to see where the vocals go in the future. The phrasing is also interesting. You do a lot of off-rhythm phrasing. There is a hypnotizing drone quality to it that reminds me of the Velvet Underground. It looks like an alien object that you can build giant chords with and during lockdown I was spending every day just making drones with it for fun.

Le Guin. Oh, and in the beginning is from a recording of a demo I was working on. This is a rare song where I had totally fleshed it out before we went into the studio.